Ava Gardner
1) On the beach
Description
Radioactive fallout from a nuclear war has wiped out the entire northern hemisphere, with the exception of Australia. With fallout expected momentarily, the Australians review their lives, establish new relationships and prepare for their tragic demise.
Description
Gravely wounded on a hunting trip, writer Harry Street thinks back to lost oppurtunities and lost loves. Though successful, Harry cannot reconcile the commercial concessions made in his writing and the personal costs expended in the pursuit of the great American novel. Only with the love of Helen, his current wife, can Harry begin to look at the more positive aspects of his life and regain the will to live.
7) Show boat
Description
Musical extravaganza which celebrates the loves and heartbreaks of a Mississippi riverboat troupe, starting with a young girl whose heart is stolen by a dashing gambler.
9) Earthquake
Description
When the most catastrophic earthquake of all time rips through Southern California, it levels Los Angeles and sends shock waves through the lives of all who live there.
Description
Snows of Kilimanjaro: Writer Harry Street reflects on his life as he lies dying from an infection while on safari in the shadow of Mount Kilimanjaro.
Anna Karenina: A married woman finds true love in a man who isn't her husband.
Connecticut Yankee in King Arthur's court: A young man dreams, after reading Mark Twain's classic novel of the same title, that he himself travels to King Arthur's court.
Tale of two cities: A British barrister falls in...
Description
Show boat (1951, 108 min.): When Julie La Verne and her husband Steve Baker are forced to leave the showboat Cotton Blossom, they are replaced by the Captain's daughter, Magnolia, and Gaylord Ravenal, a notorious gambler. Magnolia and Ravenal fall in love, marry, leave the boat and move to Chicago. They live off Ravenal's earnings from gambling. After they go broke, Gaylord feels guilty and leaves Magnolia, not knowing she is pregnant.
Annie get...
Description
Ernest Hemingway's simple but gripping short tale is a model of economical storytelling. Two directors adapted it into unforgettably virile features: that was intended for television but deemed too violent for home audiences and released theatrically instead. The first is poetic and shadowy, the second direct and harsh as daylight, but both get at the heart of Hemingway's existential classic.